Return-Path: Delivered-To: charley@transocean.com Received: from vps.transocean.com by vps.transocean.com with LMTP id qNdzL7EyzloWZQAAInt2oQ for ; Wed, 11 Apr 2018 09:07:13 -0700 Return-path: Envelope-to: charley@transocean.com Delivery-date: Wed, 11 Apr 2018 09:07:13 -0700 Received: from mx28.a.outbound.createsend.com ([203.55.21.28]:46048) by vps.transocean.com with esmtp (Exim 4.89_1) (envelope-from ) id 1f6IGy-0006hj-Mf for charley@transocean.com; Wed, 11 Apr 2018 09:07:13 -0700 DKIM-Signature: v=1; a=rsa-sha1; c=relaxed/relaxed; s=cs2015; d=cmail19.com; h=Subject:From:To:Reply-To:Date:MIME-Version:Content-Type:List-Unsubscribe:Sender:Message-ID; i=info=3Dcassinaprojects.com@cmail19.com; bh=Sl5AwRjSmRp3Lasf4Nk1HeFcbUE=; b=GyHl18ZE7seRE7xHeAt6E+z/wzSg6Z66lWyeYBKpl13SbYo3d9g+CfVWCpA5+fMS1OjfB9HirMyp vdoK9KaUsttYsD5i0+ACREUzw7OIOprp35ZLUNcH7znj+77tzrgBpjTMIt9alO+fQWqCKVQwbzbz iltWqHdvQ47cr2j65mg= Subject: Upcoming Exhibition | Daily Unfamiliar From: "Cassina Projects" To: "Charley Peck" Reply-To: info@cassinaprojects.com Date: Thu, 12 Apr 2018 02:06:19 +1000 MIME-Version: 1.0 Content-Type: multipart/alternative; boundary="_9bc77876-a022-4ab3-8356-9b09a7bde960_"; charset=utf-8 X-Mailer: Create Send X-Complaints-To: abuse@cmail19.com X-Feedback-ID: CA1-d-ohitkuk:LI1-d-xihjir:CL1-d-tlkuyd:createSEND List-Unsubscribe: , Sender: "Cassina Projects" Message-ID: X-Spam-Status: No, score=1.1 X-Spam-Score: 11 X-Spam-Bar: + X-Ham-Report: Spam detection software, running on the system "vps.transocean.com", has NOT identified this incoming email as spam. The original message has been attached to this so you can view it or label similar future email. If you have any questions, see root\@localhost for details. Content preview: Upcoming Exhibition | Daily Unfamiliar Upcoming Exhibition | Daily Unfamiliar April 26 - July 27, 2018 [...] Content analysis details: (1.1 points, 3.0 required) pts rule name description ---- ---------------------- -------------------------------------------------- 0.0 URIBL_BLOCKED ADMINISTRATOR NOTICE: The query to URIBL was blocked. See http://wiki.apache.org/spamassassin/DnsBlocklists#dnsbl-block for more information. [URIs: cmail19.com] -0.0 RCVD_IN_MSPIKE_H2 RBL: Average reputation (+2) [203.55.21.28 listed in wl.mailspike.net] 0.2 HEADER_FROM_DIFFERENT_DOMAINS From and EnvelopeFrom 2nd level mail domains are different -0.0 SPF_PASS SPF: sender matches SPF record 0.8 BAYES_50 BODY: Bayes spam probability is 40 to 60% [score: 0.5000] 0.0 HTML_MESSAGE BODY: HTML included in message 0.1 DKIM_SIGNED Message has a DKIM or DK signature, not necessarily valid -0.1 DKIM_VALID Message has at least one valid DKIM or DK signature X-Spam-Flag: NO --_9bc77876-a022-4ab3-8356-9b09a7bde960_ Content-Type: text/plain; charset="utf-8" Content-Transfer-Encoding: quoted-printable Upcoming Exhibition | Daily Unfamiliar Upcoming Exhibition | Daily Unfamiliar April 26 - July 27, 2018 Opening Reception: Thursday, April 26, 6 - 8 PM Alberto Garutti, Che cosa succede nelle stanze quando gli uomini se ne va= nno?: sedie, 1993 - 2004 Cassina Projects is pleased to announce Daily Unfamiliar, a group exhibit= ion featuring Italian artists Bruna Esposito, Antonio Fiorentino, Alberto= Garutti, Maurizio Nannucci, Pino Pascali, Perino & Vele, Michelangelo Pi= stoletto, and Gilberto Zorio, with artworks ranging from the 1960s to pre= sent. The exhibition coincides with the 50th anniversary of Pino Pascali= =E2=80=99s passing. In Daily Unfamiliar, diverse generations of Italian artists converge as a= result of their bridged interest in the transcendental and evocative qua= lities of everyday objects, materials, and physical transformations. Thro= ugh varying practices and visual languages, the artists aim to elevate fa= miliar aspects of daily life while translating them into artworks that ar= e catalysts of energy and time. Objects and habits that were once usual t= o us, now seem strange and unfamiliar. What happens to the rooms when people have left? Conceptual artist Alber= to Garutti, invites us to take a careful look at the furniture now inhabi= ting the gallery space =E2=80=94 although of ordinary appearance, they se= cretly glow while we sleep, while others remain invisible, existing solel= y as voids on a carpet. The interactive dialogue between the viewer and t= he surrounding environment plays an essential role in the perception of t= he exhibited works. This is also an overarching theme of Arte Povera arti= st Michelangelo Pistoletto, particularly distinguished for his Mirror Pai= ntings of the 1960s. In his more recent work, Color and Light, Pistoletto= continues to experiment with reflective surfaces in order to integrate t= he spectator as a major component and participant of the work itself. Con= crete Poetry artist Maurizio Nannucci, similarly explores the limitless p= ossibilities of interpreting and reading our milieu. Through white neon l= it words, we are literally faced with the inescapable reality of choosing= What to see and what not to see. Alberto Garutti, Che cosa succede nelle stanze quando gli uomini se ne va= nno?: sedie, 1993 - 2004 (view of the work in the dark) The exhibition further ventures into the ethereal and sublime character o= f mundane objects and materials that have evolved from one state to anoth= er. A characteristic of Arte Povera, Gilberto Zorio uses non-traditional = mediums such as black leather, copper, iron, ampoules, and fluorescein, a= s well as chemical processes such as dissolution and evaporation. The Ste= lla or star, cosmic, and alchemical motifs, have been a recurring subject= of his experimental practice, often relying on symbols and metaphorical = language. Like Zorio, Contemporary artist Antonio Fiorentino, assumes the= role of artistic creator and alchemist, both converting matter into a cy= cle of transient and spontaneous forms. In Opusimago, Fiorentino combines= elements such as vegetation, metallic compounds, liquid solutions, and m= inerals that contained in a manifold of glass amphorae, react to naturall= y produce an artwork that is continually changing. Placing the amphorae o= ver a pavement of incised Carrara marble, he creates a landscape that rem= inds of a corroded laboratory surface mantled with froth. Common objects and experiences release themselves from previous associati= ons and acquire new meaning as they exude the artists=E2=80=99 own thinki= ng process. In this disorienting present, Contemporary female artist Brun= a Esposito, alters our perception of reality by placing untamed bamboo br= ooms and glistening fish eyes next to each other. While Esposito magnifie= s elements that were before unremarkable, in his famous Armi series, Pino= Pascali oppositely reduces the dramatic and violent qualities of weapons= =2E The Arte Povera artist reflects on the impression that popular military= culture left on his early life through a kind of ironic adult-childlike = lens. Contemporary artistic duo Perino & Vele, also manage to generate va= rying interpretations from the audience by showing recognizable objects i= n alternate contexts. Characteristically relying on papier-m=C3=A2ch=C3=A9= made from Italian newspapers, Perino & Vele recycle and reshape a humble= material to form a unique body of work capable of invoking important soc= ial issues of today. In this immersive group exhibition, Italian artists explore the revealing= and expressive nature of artworks that have been instilled with life. In= explicably awakening various facets of our daily lives, our senses are ch= allenged to experience and glimpse into this unusual world with fresh and= inquisitive eyes. About the Artists: Bruna Esposito (b. 1960, Rome, Italy) lives and works in Rome. She studie= d Architecture at the University La Sapienza in Rome and in 1980 moved to= New York. In 1984, she was selected for the Whitney Museum ISP and later= settled in Berlin receiving a grant from the Internazionale Bauhaustellu= ng. Her work has been featured in various institutions and galleries such= as MAXXI in Rome (2017), FL Gallery (2014), Museo MACRO in Rome (2012), = the Museum of Contemporary Art in Chicago (2009), Museo d=E2=80=99Arte Co= ntemporanea del Castello di Rivoli (2002), and Clocktower P.S.1 New York = (1999). She has also participated in international events including the V= enice Biennale (1999, 2013), the Istanbul Biennial (2003), and Documenta = X (1997). In 2012, she completed Out of the Blue, a site-specific work co= mmissioned for the grounds of the Olnick Spanu Collection in Garrison, Ne= w York. In 1999, she was awarded the Venice Biennale Golden Lion for the = Italian Pavilion Dapertutto with other four artists. Antonio Fiorentino (b. Barletta, Italy, 1987) lives and works in Milan. H= e received his BA from the Academy of Fine Arts in Carrara (2010) and his= MA from the Accademia of Fine Art Brera in Milan (2014). His work has be= en exhibited in various institutions such as MUSAC in Le=C3=B3n, Spain (2= 018), ISCP in New York (2017), MUHNAC National Museum of Natural History = and Science of Lisbon (2017), and the National Gallery of Modern and Cont= emporary Art in Rome (2016). In 2015, he was the recipient of the Talent = Prize in Rome. Alberto Garutti (b. Galbiate, Italy, 1948) lives and works in Milan. His = work has been featured in various institutions and galleries such as Gall= eria Massimo Minini in Brescia (2016), Mudac in Lusanne (2011), MAXXI in = Rome (2009), Museum of Contemporary Art in Chicago (2009), Palazzo Grassi= in Venice (2008), and S.M .A.K. in Ghent (2000). In 2012, his work was t= he subject of a solo show at PAC in Milan curated by Paola Nicolin and Ha= ns Ulrich Obrist. He has also participated in international events includ= ing the Istanbul Biennial (2001) and the Venice Biennale (1990). Maurizio Nannucci (b. 1939, Florence, Italy) lives and works in Florence.= His work is associated with Concrete Poetry, Fluxus, and Conceptual Art.= His work has been exhibited at various institutions and galleries such a= s Galleria Fumagalli (2017), the Peggy Guggenheim Foundation in Venice (2= 004), Museum Ritter (2015), Galleria degli Uffizi (2010), and the MACRO i= n Rome (2012). His work is featured in the collections of museums such as= the MoMA, the Stedelijk Museum, the Centre Georges Pompidou, and the Pau= l Getty Art Center in Los Angeles. Pino Pascali (b. 1935, Bari, Italy, d. 1968, Rome, Italy) was a leading f= igure of Arte Povera during the 1960s. He completed his studies in scene = painting and set design at the Accademia di Belle Arti in Rome in 1959. H= is first solo exhibition was held at the Galleria Tartaruga in 1965. Pasc= ali died in 1968 at the young age of thirty-two after a tragic motorcycle= accident. This year marks the 50th anniversary of his death. His work ha= s been featured in various museum and galleries such as the Peggy Guggenh= eim Collection in Venice (2016), the Fondazione Prada (2015), the MACRO i= n Rome (2009), and Gagosian Gallery (2006). The Pino Pascali Museum was f= ounded in 1998, now the Pino Pascali Foundation. Perino & Vele: Emiliano Perino (b. 1973, New York, USA) and Luca Vele (b.= 1975, Rotondi, Italy) currently live and work in Rotondi. They have been= collaborating since 1994 and they have exhibited in various institutions= and galleries such as the National Gallery of Art in Tirana (2017), Temp= le University Rome (2016), MAC in Lissone (2016), Museo MADRE in Naples (= 2014), Anna Marra Contemporanea (2014), Galleria Alfonso Artiaco (2013), = and MACRO in Rome (2013). Their work is featured in institutions and publ= ic spaces such as the Museo MADRE and the Salvatore Rosa Station in Naple= s. Michelangelo Pistoletto (b. 1933, Biella, Italy) is one of the major prop= onents of Arte Povera. His first solo exhibition took place in 1960 at Ga= lleria Galatea in Turin and from 1961-1962 completed his first iconic Mir= ror Paintings. In 1966, his first solo exhibition in the United States wa= s held at the Walker Art Center in Minneapolis. His work is featured in v= arious museums and public collections including the MoMA, M HKA Museum of= Contemporary Art in Antwerp, Solomon R. Guggenheim Museum, Museo Naciona= l Centro de Arte Reina Sof=C3=ADa in Madrid, Tate in London, MADRE Museum= in Naples, Modern Art Museum of Fort Worth, and the Walker Art Center. H= e was the recipient of the Golden Lion for Lifetime Achievement on the oc= casion of the 2003 Venice Biennale. Gilberto Zorio (b. 1944, Andorno Micca, Italy) is currently based in Turi= n and is a major exponent of the Arte Povera movement. He studied paintin= g at the Accademia di Belle Arti in Turin from 1963-1970 but dedicated hi= s artistic practice to sculpture, his first solo show of three-dimensiona= l works taking place at Galleria Sperone in 1967. This year, Castello di = Rivoli is hosting a solo exhibition of his work completed over the last 5= 0 years of his career. He is featured in various museum and public collec= tions including the Centre Georges Pompidou, Galleria Nazionale d=E2=80=99= Arte Moderna in Rome, Guggenheim Museum in New York and Venice, MoMA in N= ew York, Stedelijk Museum, and Tate Modern in London. Read more [https://www.cassinaprojects.com/daily-unfamiliar] CASSINA PROJECTS 508 West 24th Street New York, NY, 10011 +1 (212) 242-0444 CassinaProjects.com info@cassinaprojects.com Preferences https://cprojectsll= c.updatemyprofile.com/d-ohitkuk-D0154136-cyutkutik-u = | Unsubscribe http://cprojectsllc.cmail19.com/t/d-u-ohitkuk-= cyutkutik-o/ --_9bc77876-a022-4ab3-8356-9b09a7bde960_ Content-Type: text/html; charset="utf-8" Content-Transfer-Encoding: quoted-printable =20
Upcoming Exhibition | Daily Unfamiliar=
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Upcoming Exhibition | Daily = Unfamiliar 

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April 2= 6 - July 27, 2018

Opening Reception: Thursday, April 26, 6 -= 8 PM

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3D"Daily
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Alberto Garutti, Ch= e cosa succede nelle stanze quando gli uomini se ne vanno?: sedie, 1993 - 2004

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Cassina Projects is pleased to announce Daily Unfamiliar, a group exhibition featuring Italian = artists Bruna Esposito, Antonio Fiorentino, Alberto Garutti, Maurizio Nannucci= , Pino Pascali, Perino & Vele, Michelangelo Pistoletto, and Gilberto Zorio= , with artworks ranging from the 1960s to present. The exhibition coincid= es with the 50th  anniversary of Pino Pascali’s passing.

In=20 Daily Unfamiliar, diverse generations of Italian artists converg= e as a result of their bridged interest in the transcendental and evocati= ve qualities of everyday objects, materials, and physical transformations= =2E Through varying practices and visual languages, the artists aim to elev= ate familiar aspects of daily life while translating them into artworks t= hat are catalysts of energy and time. Objects and habits that were once u= sual to us, now seem strange and unfamiliar. 

What happens to the rooms when people have left? = ; Conceptual artist Alberto Garutti, invites us to take = a careful look at the furniture now inhabiting the gallery space — = although of ordinary=20 appearance, they secretly glow while we sleep, while others remain invisi= ble, existing solely as voids on a carpet. The interactive dialogue betwe= en the viewer and the surrounding environment plays an essential role in = the perception of the exhibited works. This is also an overarching theme = of Arte Povera artist Michelangelo Pistoletto, particula= rly distinguished for his Mirror Paintings of the 1960s. In his more= recent work, Color and Light, Pistoletto continues to experimen= t with reflective surfaces in order to integrate the spectator as a major= component and participant of the work itself. Concrete Poetry artist Maurizio Nannucci, similarly explores the limitless possibi= lities of interpreting and reading our milieu. Through white neon lit wor= ds, we are literally faced with the inescapable reality of choosing W= hat to see and what not=20 to see.

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3D"Daily
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Alberto Garutti, Ch= e cosa succede nelle stanze quando gli uomini se ne vanno?: sedie, 1993 - 2004 (view of the work in the dark)

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The exhibition further ventures into the etherea= l and sublime character of mundane objects and materials that have evolve= d from one state to another. A characteristic of Arte Povera, Gil= berto Zorio uses non-traditional mediums such as black leat= her, copper, iron, ampoules, and fluorescein, as well as chemical process= es such as dissolution and evaporation. The Stella or = star, cosmic, and alchemical motifs, have been a recurring subject of his= experimental practice, often relying on symbols and metaphorical languag= e. Like Zorio, Contemporary artist Antonio Fiorentino, a= ssumes the role of artistic creator and alchemist, both converting matter= into a cycle of transient=20 and spontaneous forms. In Opusimago, Fiorentino combines element= s such as vegetation, metallic compounds, liquid solutions, and minerals = that contained in a manifold of glass amphorae, react to naturally produc= e an artwork that is continually changing. Placing the amphorae over a pa= vement of incised Carrara marble, he creates a landscape that reminds of = a corroded laboratory surface mantled with froth.

Common objects and experiences release themselves from previous as= sociations and acquire new meaning as they exude the artists’ own t= hinking process. In this disorienting present, Contemporary female artist= Bruna Esposito, alters our perception of reality by pla= cing untamed bamboo brooms=20 and glistening fish eyes next to each other. While Esposito magnifies ele= ments that were before unremarkable, in his famous Armi ser= ies, Pino Pascali oppositely reduces the dramatic a= nd violent qualities of weapons. The Arte Povera artist reflects on the i= mpression that popular military culture left on his early life through a = kind of ironic adult-childlike lens. Contemporary artistic duo Pe= rino & Vele, also manage to generate varying interpretations= from the audience by showing recognizable objects in alternate contexts.= Characteristically relying on papier-mâché made from Italian n= ewspapers, Perino & Vele recycle and reshape a humble material to for= m a unique body of work capable of invoking important social issues of to= day.

In this immersive group exhibition, Italian artists explore = the revealing and expressive nature of artworks that have been instilled = with life. Inexplicably awakening various facets of our daily lives, our = senses are challenged to experience and glimpse into this unusual world w= ith fresh and inquisitive eyes.

Abo= ut the Artists:

Bruna Espo= sito (b. 1960, Rome, Italy) lives and works in Rome. She studied= Architecture at the University La=20 Sapienza in Rome and in 1980 moved to New York. In 1984, she was selected= for the Whitney Museum ISP and later settled in Berlin receiving a grant= from the Internazionale Bauhaustellung. Her work has been featured in va= rious institutions and galleries such as MAXXI in Rome (2017), FL Gallery= (2014), Museo MACRO in Rome (2012), the Museum of Contemporary Art in Ch= icago (2009), Museo d’Arte Contemporanea del Castello di Rivoli (20= 02), and Clocktower P.S.1 New York (1999). She has also participated in i= nternational events including the Venice Biennale (1999, 2013), the Istan= bul Biennial (2003), and Documenta X (1997). In 2012, she completed O= ut of the Blue, a site-specific work commissioned for the grounds of= the Olnick Spanu Collection in Garrison, New York. In 1999, she was awar= ded the Venice Biennale Golden Lion for the Italian Pavilion Dapertut= to with other four=20 artists.

Antonio Fiorentino (b. Bar= letta, Italy, 1987) lives and works in Milan. He received his BA= from the Academy of Fine Arts in Carrara (2010) and his MA from the Acca= demia of Fine Art Brera in Milan (2014). His work has been exhibited in v= arious institutions such as MUSAC in León, Spain (2018), ISCP in New= York (2017), MUHNAC National Museum of Natural History and Science of Li= sbon (2017), and the National Gallery of Modern and Contemporary Art in R= ome (2016). In 2015, he was the recipient of the Talent Prize in Rome.

Alberto Garutti (b. Galbiate, Italy= , 1948) lives and works in Milan. His work has been featured in = various institutions and galleries such as Galleria Massimo Minini in Bre= scia (2016), Mudac in Lusanne (2011), MAXXI in Rome (2009), Museum of Con= temporary Art in Chicago (2009), Palazzo Grassi in Venice (2008), and S.M= .A.K. in Ghent (2000). In 2012, his work was the subject of a solo show = at PAC in Milan curated by Paola Nicolin and Hans Ulrich Obrist. He has a= lso participated in international events including the Istanbul Biennial = (2001) and the Venice Biennale (1990).

Maurizio Nannucci (b. 1939, Florence, Italy) lives and works= in Florence. His work is=20 associated with Concrete Poetry, Fluxus, and Conceptual Art. His work has= been exhibited at various institutions and galleries such as Galleria Fu= magalli (2017), the Peggy Guggenheim Foundation in Venice (2004), Museum = Ritter (2015), Galleria degli Uffizi (2010), and the MACRO in Rome (2012)= =2E His work is featured in the collections of museums such as the MoMA, th= e Stedelijk Museum, the Centre Georges Pompidou, and the Paul Getty Art C= enter in Los Angeles.

Pino Pascali = (b. 1935, Bari, Italy, d. 1968, Rome, Italy) was a leading figur= e of Arte Povera during the 1960s. He completed his studies in scene pain= ting and set design at the Accademia di Belle Arti in Rome in 1959. His f= irst solo exhibition was held=20 at the Galleria Tartaruga in 1965. Pascali died in 1968 at the young age = of thirty-two after a tragic motorcycle accident. This year marks the 50t= h anniversary of his death. His work has been featured in various museum = and galleries such as the Peggy Guggenheim Collection in Venice (2016), t= he Fondazione Prada (2015), the MACRO in Rome (2009), and Gagosian Galler= y (2006). The Pino Pascali Museum was founded in 1998, now the Pino Pasca= li Foundation.

Perino & Vele: E= miliano Perino (b. 1973, New York, USA) and Luca Ve= le (b. 1975, Rotondi, Italy) currently live and work in Rotondi.= They have been collaborating since 1994 and they have exhibited in vario= us institutions and galleries=20 such as the National Gallery of Art in Tirana (2017), Temple University R= ome (2016), MAC in Lissone (2016), Museo MADRE in Naples (2014), Anna Mar= ra Contemporanea (2014), Galleria Alfonso Artiaco (2013), and MACRO in Ro= me (2013). Their work is featured in institutions and public spaces such = as the Museo MADRE and the Salvatore Rosa Station in Naples.

Michelangelo Pistoletto (b. 1933, Biella, Italy= ) is one of the major proponents of Arte Povera. His first solo = exhibition took place in 1960 at Galleria Galatea in Turin and from 1961-= 1962 completed his first iconic Mirror Paintings. In 1966, his first solo= exhibition in the United States was held at the Walker Art Center in Min= neapolis. His work is=20 featured in various museums and public collections including the MoMA, M = HKA Museum of Contemporary Art in Antwerp, Solomon R. Guggenheim Museum, = Museo Nacional Centro de Arte Reina Sofía in Madrid, Tate in London,= MADRE Museum in Naples, Modern Art Museum of Fort Worth, and the Walker = Art Center. He was the recipient of the Golden Lion for Lifetime Achievem= ent on the occasion of the 2003 Venice Biennale.

Gilberto Zorio (b. 1944, Andorno Micca, Italy) = is currently based in Turin and is a major exponent of the Arte Povera mo= vement. He studied painting at the Accademia di Belle Arti in Turin from = 1963-1970 but dedicated his artistic practice to sculpture, his first sol= o show of three-dimensional=20 works taking place at Galleria Sperone in 1967. This year, Castello di Ri= voli is hosting a solo exhibition of his work completed over the last 50 = years of his career. He is featured in various museum and public collecti= ons including the Centre Georges Pompidou, Galleria Nazionale d’Art= e Moderna in Rome, Guggenheim Museum in New York and Venice, MoMA in New = York, Stedelijk Museum, and Tate Modern in London.

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CASSINA PROJECTS
508 West 24th Street
New York, NY, 10011
+1 (212) 242-0444
CassinaProjects.com
info@cassinaprojects.com
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